Tag Archives: knowledge

Seminar: Emotional interaction design, migration and research knowledges

SHARING: reading and discussion session at Experience Lab for the EMIDEKS project.

Literature for enacting a collective brain in emergence

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Forskningsmþde / seminar fredag 13/12/19 kl 10-12 i et projekt, som Experience Lab har om emotional interaction design og migration


Vi udforsker emotion i interaktionsdesign og vidensformidling og har pÄ fredag et mÞde, med en masse tekster pÄ programmet, som vi selv har skrevet (vi=projektdeltagerne: Mads HÞbye, Fernando Palacios, Christian Jacquemin, Eric Hahonou, John Gallagher og Connie Svabo).

Hvis I har et par timer til rĂ„dighed fredag formiddag og har lyst til at tale om emotion og forskningsmetodologier med udgangspunkt i nogle af de vedhĂŠftede og linkede tekster, sĂ„ er I meget velkomne. NB: arbejdssproget i projektet (og dermed ogsĂ„ ved mĂždet pĂ„ fredag) er engelsk.

ARTIKLERNE diskuteres i Experience Lab fredag 13.12.19 cirka kl 10-12

MADS HOBYE

Two papers:
Towards programmatic design research /// This paper works on a methodological of framing designerly engagement with technology and opens up a discussion on what a knowledge contribution from this perspective may be. The underlying agenda is to create the freedom to think through the materials instead of being locked into the initial problem framing. Thus two primary concepts are introduced: The concept of drifting, to acknowledge that framings, understandings and concepts evolve as one engages with the material. Further, the concept of packaging is introduced to argue for a more curated or constructed knowledge claim.
http://muep.mau.se/bitstream/handle/2043/16915/DFL_0102_13_lowgren_svarrerlarsen_hobye.pdf?sequence=2&isAllowed=y

Touching a Stranger: Designing for Engaging Experience in Embodied Interaction /// The above paper is a consequence of this paper (+a general debate in the field), in which we worked quite exploratory with the social dynamics around intimacy and touch in playful settings. Although we do not work with interrelational touch in emideks the pulse sensor and the presentation form points towards similar notions of playing with intimacy.  
http://muep.mau.se/bitstream/handle/2043/13019/hobye_lowgren_ijdesign_2011.pdf?sequence=2&isAllowed=y

SVABO & BØNNELYCKE

Knowledge catcher: on the performative agency of scholarly forms /// Accepted for the journal PARtake – journal of performance as research –

And: Scholartistry: incorporating scholarship and art, from a special issue of Journal of Problem Based Learning on Integrating Academic and Artistic Methodologies within a PBL-environment:

https://journals.aau.dk/index.php/pbl/article/view/1957

ERIC HAHONOU

Two recently published articles related to emotions. The first one is to use emotions as a methodological entry point. The second (unfortunately only in French) is a discussion on the relation between film writing, emotions and scientific writing. If you don’t read French, you can take a look at its format. It is an online publication which mixes text and film.

Emotions as method: Obtrusiveness and participant observation in public bureaucracies

Film and text, emotion and cognition. Towards a thick description of slaveries and post-slaveries (text in French) /// https://journals.openedition.org/slaveries/

FERNANDO PALACIOS

Here is a link to an article in Spanish.

https://revistas.ucm.es/index.php/CMIB/article/view/58569/0

YAKAO NAGEMI, visual artist

 Porphyrograph ― the “electric” pen 

Submission to Technarte 2018 

Abstract: Making a parallel between electric guitar and the possibility to use drawing as a live performing act, I present porphyrograph a digitally augmented performative drawing tool. After a brief overview of VJing culture, I present the technical components and the aim of the tool, mainly on the correlation between sound, music and digital effects, and highlighting the difficult association of generative effects such as particles or cellular automata and manually controlled drawing. Several works are presented based on this tool, mainly in the audiovisual duo Lola and Yukao Meet. The the notion of electric pen art is further developed together with outlining perspectives in fields such as contemporary music and art education. 

The VisualComplexity website collection of knowledge and visualisation projects.

This website holds an amazing collection of different ways to visualise domains of knowledge. With 141 projects Manuel Lima’s webarchive spans domains such as arts, biology, computer science, knowledge networks, social networks, transport networks and many more truly fascinating examples thus visualising the complexity of visualisation.

I’ll start reading Manuel Lima‘s latest book 😉

http://www.visualcomplexity.com/vc/index.cfm?domain=Knowledge%20Networks

Manuel Lima’s authorship on knowledge and visualization

Sounds interesting; Manuel Lima’s latest book about visualization: “The Book of Circles. Earlier” books are “The Book of Trees” and “Visual Complexity”.

“Join Manuel Lima for a fascinating tour through millennia of circular information design in architecture, urban planning, fine art, design, fashion, technology, religion, cartography, biology, astronomy and physics in a visual feast for infographics enthusiasts. From Venn diagrams and early celestial charts to the trefoil biohazard symbol and Target’s corporate logo, Lima provides a history of humanity’s long-lasting obsession with all things circular and a unique taxonomy of the many varieties of circle diagrams.”

https://gcdi.commons.gc.cuny.edu/event/the-book-of-circles-visualizing-spheres-of-knowledge/

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